I have always felt boxed in by the definition of “genre” when it comes to writing fiction. Why be bound by the rules of a craft when that craft itself is in a state of evolution, and where tomorrow’s rules may be today’s exploratory scribbling?
When I sat down to compile my new short story collection, Crossing Limbo, I drew from stories written over the last ten years, written with long time intervals between each piece. Therefore, the stories didn’t resemble each other. When I wrote each piece I hadn’t the intention that they would ever become part of a collection, which usually requires a common theme and genre. I guess I had been scanning too many book stores which had “mystery stories,” “YA” and “fairy tales,” categorizing the shelves, and reading copious quantities of Alfred Hitchcock’s terror magazines to draw the conclusion that stories accrete to specific genres. I wrote my pieces whenever something had intrigued me at the time, and I selected the appropriate voice and genre that gave my subject matter the greatest expression.
Therefore, when I wanted to write about greed, I thought I would make the narrator a dog who is observing this weakness in humans; when I wanted to portray an Arab Spring, I put myself in the shoes of the bad dictator to understand his take on the approaching “bad season”; when I wanted to check out the seductive world of swingers, I had an inexperienced housewife naively enter the club to experience its shock impact; when I wanted to explore predation on the internet, I created a fictional chat line; when I wanted to write about disadvantaged immigrants, I chose the voice of one who had fallen on the wrong side of the track through no fault of his own; when I thought “ romance,” I thought how neat would it be to explore this ephemeral state with two candidates at extreme ends of the game of love: a tantric sex instructor and a sexless corporate executive. You can see where this is going… Before long, I had a mixed bag of stories that included the genres of magic realism, suspense, crime, erotica, romance and everything else that I could lump under the broad umbrella of “literary fiction.” Who was going to buy this?
Then I said to myself, had I written a novel, I wouldn’t have been able to cover such a broad expanse of human experience without writing the next War & Peace. With short stories, I could get in deep and get out quickly and move onto the next, and readers would take that as par for the course. Besides, in these speeded-up times, the short story is supposed to be the replacement to the novel, just as the 140-byte Twitter line is supposed to replace the 420-byte Facebook post. Neither of these things have happened yet, but we are told to anticipate them. So I pitched my collection with this “deep and quick” angle in view and my publisher bought it. The editor added that even though the genres varied, the theme was consistent: dark literature about people traversing their personal limbo towards redemption. I hadn’t thought of that!
So I have this cocktail of a book coming out shortly, and I am hoping that readers will appreciate the different genres, although I suspect that some form of selection will take place and the audience will divide and gravitate to different stories based on individual taste. However, I am hoping that bibliophiles, who devour everything, will find a smorgasbord in this collection instead of just Indian Curry, Japanese Sushi, or Italian Pasta, and that it will satisfy their diverse tastes. And I look forward, somewhat in trepidation, to the reaction afterwards from all camps. Any book, once released, takes a life of its own. All the writer can do is reflect on the hours of engagement he had with it, akin to raising a child, and wishing it well when it leaves the nest.