The Artist’s Career Progression

There is a progression in a successful artist’s career. First, toiling (for several years, sometimes) in the trenches to reach base camp, then beginning the climb up the mountain of fame, then reaching a point on the gradient where a magic elevator suddenly appears and creates an inverse tipping point that starts to hurtle the artist to the pinnacle with no further effort required on his part. Finally, a period of success-building-upon-success, of walking on clouds, until disability or death intervenes to close that chapter. The last period is the posthumous one, when the artist’s work in enshrined and cleverly marketed to keep his spirit and estate alive.

Take our Joe, a budding writer, who writes some pretty decent stuff but who has to compete with every other Tom, Dick and Harry, along with Ann, Meg and Sally who are also writing pretty decent stuff. Joe meets Mike, an influential person in publishing, at a bar, where they both get drunk and wax lyrical over everything from Homer to Hitler, and realize that they have a lot in common. “I’m going to help you… hic,” says Mike, as they stagger homewards. Mike keeps his promise, and Joe gets a publishing contract from a decent publishing house. Unknown to Joe, he has arrived at base camp. Mike exercises some marketing muscle and introduces Joe to a movie director. Film rights, foreign rights and a literary prize follow. Joe is on his way, leaving his cohorts in the dust of self-publishing where he too once worked his heart out; he is now into cleaner air. He churns out a book per year, easy to do now that he does not have to worry about earning a living elsewhere. His publisher, and his agent (yes, he needs an agent now, and an agent sees value in Joe at this point) realize that to keep Joe’s books moving, he has to be in the news; therefore, more literary prizes, more film deals, foreign translations, and a couple of celebrity romances (and failures) should be part of the continuing life of Joe. When anyone is thinking of holding a literary conference or organizing a literary awards gala, they must invite Joe. Our Joe is on that magic elevator ascending the mountain. Now he does not have to think of ideas for his next book – his publicist (yes, he has one of those now too) and his script development team (fancy!) provide him with what he needs to write. His publisher will even fly him to the locale of his next book so that he can immerse himself in the scenes he is going to write about. Joe is now at the “walking on clouds” stage. Sounds familiar? I think you get it, so we can skip describing the “posthumous stage.” And this story is not quite fiction, for a chosen few in every generation have done it.

But that is not the main point of this article. The main point is that the pinnacle is the most important stage, and it must be defended at all costs and made to last as long as possible. When Joe has reached the top of the mountain, and when anyone thinks of literature, they must think only of Joe. His social calendar must be overflowing and he must decline a number of invitations so that his “decline factor” will create even more mystique and increase Joe’s appearance fee at future events. Meanwhile, Tom, Dick and Harry, and Ann Meg and Sally will be still waiting hungrily for their call to climb the mountain, churning out angst-ridden tomes, that if only someone had the time to read, would probably be far more authentic than Joe’s scripted deliveries. At this point, Joe’s management team will further determine that in order to extend the life of their “product” they need to create barriers to entry; therefore subtle attempts will be made to keep Tom & Team, and Ann and Associates or anyone creating “Joe’s look-alike literature,” or “better than Joe’s literature” out of the running until targeted returns on investment in Joe are met. Upstart attempts to dislodge Joe off his pedestal will be…ah…resisted. Creative destruction is healthy for society, but not for those who have their investment in the incumbent cash-cow.

That “the cream rises to the top” is true in this business as in any other. And once there, it stays at the top until death or disability renders the cream no longer edible, and investors have to either go into the posthumous stage of the artist or go looking for new talent development.

And then, the next Joe (or probably even Tom, Dick or Harry, or Ann, Meg or Sally, if they are not too old and beaten by then) will be waiting in a bar, scanning the crowds for Magnanimous Mike to start their climb up the mountain…

Returning to the Grind

After taking two years off to focus on my writing, I recently returned to the business world that earns me more money in a day than in a whole year as an author.

Was this caving in? Selling out? Giving up? It was all of the above, and the achievement of wisdom that the business of writing and the art of writing are two different pursuits. My business logic tells me that one avoids entering markets as a seller when supply exceeds demand, and this is the case in the fiction market. And yet, we eternal hopefuls enter it in hordes every year because we all want to tell our story. The only hope of garnering attention in this supply•heavy market is through the power of endorsement. So should a writer wine and dine every agent and publisher, as well as Oprah, as part of his next phase to being commercially successful, apart from writing his break•out novel? Probably—for those so inclined.

For me, it has been a wake•up call to return to my art of writing and focusing on developing that aspect of this gift (or curse) that is foisted upon some of us. There are no limitations to developing the art: it has a linear growth trajectory and contracts or extends based on how much time and effort you put into it. And yet the business of writing today is faced with so many variables, many outside the control of the writer: e•books, Google, publishers going bankrupt, the blockbuster phenomenon, self•publishing, occasional social networking jackpots—where do you place your bet?

A wise teacher once told me to worry about the things that only I could control and leave the rest to God (or the Devil). And so it is with the writing. I will return to the craft and find reward and enrichment for my soul in that endeavour. As for the selling of books, you can’t miss what you never had, so the idyllic life of the writer living in exotic lands and jettisoning the occasional manuscript upon a hungry agent, who then turns it around into mega bucks and movie deals—that will have to remain a dream – for now!