Support for Independent Publishers in Canada

(This article was published on the Heritage Canada website on Nov 14th 2016, where it got some attention before being drowned in that tsunami called the “Newsfeed.” I salvaged the article and am publishing it here to give it an extended life)

After a successful career in business, which I gave up to pursue writing, I graduated from the Humber School for Writers in 2002 and realized that, at the age of 47, I had arrived at the CanLit party too late. I was too old to be picked up by an agent or a mainstream publisher and too removed from the established literary community. I ended up self-publishing my first novel that was recommended by my mentor at the Humber School to its in-house literary agency, but which wasn’t picked up by that agency. My next two works, a collection of short stories and a novel, the latter which won an award at Write Canada, were published by a small Ontario trade publishing house that has never enjoyed subsidies from Federal or Provincial arts agencies despite being in business for over 20 years.

In 2011, realizing that I could do better, I decided to set up my own publishing company with my money to publish my work and the work of other deserving writers across Canada who were having difficulty getting through the narrow portals of publishing. In particular, I have focussed on the writers of Northumberland County, Ontario where I live, publishing two anthologies of their work and planning another for next year. I have operated on the trade publishing model, selecting manuscripts, editing them, and providing authors with publishing and global distribution via Ingram, because I haven’t found a Canadian printer/distributor who provides a more cost-efficient service, despite having a low-dollar advantage. I use POD (print on demand) not because it is a vilified technology but because it is cost-efficient and saves trees. I also publish in e-book form (Kindle and e-pub). I pay my authors royalties and promote them via social media and fund their book launches. I wish I could do more for them, but my resources are limited. I have been publishing an average of three books per year as that is my maximum bandwidth as an unfunded independent operator who quickly came to the realization that he still had to make his living with a second job. I have incorporated my publishing company and have submitted tax returns for every year of its operation. I have not taken a cent in salary out of my publishing company for the hours I have toiled in it.

My requests (to whomsoever needs to action them) in this note, are the following:
1) Simplify the grant application process so that new entrants can understand it and play equitably alongside incumbent recipients.
2) Hold Canadian printers and distributors responsible for bringing their costs in line with global standards. Currently grants to publishers are going to subsidize printers and not to help promote authors or defray publishers’ other costs. (It would also be nice to see Canadian distributors being open for business and not act as cartels that shut out new entrants, but I am not sure if this is something anyone can influence other than market forces).
3) Make the grant system a dynamic one based on merit and not one that has become an annuity for incumbent recipients.
4) Create grant categories for “author promotion by the publisher,” if these don’t exist today; and if they do, make them more transparent. Traditional media channels are closed to small publishers and we have to find new channels – social media being our best avenue. But now social media has moved away from “free” to “paywall” when it comes to advertizing, and this needs money.

Subsidy or not, I will continue to write and publish, for I have a deep commitment to my art and to this industry. It would be nice to see our Federal and Provincial bodies recognize the fact that publishing has changed and morphed into many hybrid models compared to the original upon which CanLit was founded. These hybrids need assistance to grow and stand on their own, just like the fledgling CanLit once did. And, aren’t we all parts of an evolving CanLit, incumbents and newcomers alike?

I thank you for listening to me and look forward to seeing a more inclusive system of publishing emerge in Canada during my lifetime.

The link to the article on the Canadian Government website is:
http://www.canadiancontentconsultations.ca/stories/stories/support-for-independent-publishers-in-canada?fb_page_type=story_telling_tool&fb_tool_id=6028

Write What You Know…or Know Not?

I have tended to follow the “Write What You Know,” principle and am now wondering whether that mantra accrues diminishing returns over time. Recently, I finished writing another novel. Four of my novels have been published to date, while the other four sit in limbo waiting to get into the public spotlight. I have also written dozens of short stories, many of which have been published, including two collections of short fiction under my name. And I thought I would be beyond postpartum depression by now, when it came to writing and seeing one’s work in print. I was wrong. With the completion of this eighth yet-to-be-published novel—my shortest one yet, as I am aiming for brevity—that familiar feeling of release, mixed with loss and doubt, returned.

The first question I asked myself was: Who would benefit from reading this book? Who would care? And if no one cared, why do I continue to go around in circles crafting this stuff, picking incidents from my life, either experienced or witnessed because I am supposed to write only about what I know, when I could be doing some other good for humanity and for myself? Or do I detest humanity so much that I would rather hangout with my fictional characters whom I can bend to my will? And now that I have said goodbye to my imaginary friends at the end of this new book, am I left vulnerable and exposed again? Can I return to the fictional world, or is that gate managed by some power beyond myself, and do I need to experience and observe more of life before I am allowed in again? Who calls the timing of my re-entry? Is there a re-entry after this latest foray?

The rational side of me says, “Don’t worry, this is just the beginning of another adventure. There will be beta readers to go through, editors, re-writes, the publishing cycle, and the post-publishing marketing circus of launches, readings, interviews, reviews, book fairs and social media. Writing the book is only the beginning.” But I’ve heard this all before and gone through the “adventure” a number of times. All this “other stuff” is work that runs according to a template. The creation bit was the most important, the entry into a tunnel you never knew when or where you would exit from, and with what gifts of story accumulating in your manuscript. Creation was the true adventure, everything else was fluff.

“Write what you know,” can be stultifying, for how many personal life experiences are worth writing about, especially in a way that others would find entertaining, educational and uplifting? Some writers like Knausgaard, Kerouac and Burroughs have gotten away with it, but they either had unique lives that only they could write about, or boring ones that after a single reading need never be duplicated by any other writer. On the other hand, writing about other lives is supposed to wring hollow and is not taken seriously. And yet after writing about one’s own life from countless angles, if we don’t venture into other lives and other periods, repetition will set in. Is that why genres like historical fiction and fantasy are so popular with readers, while being financially rewarding and liberating for the writer?

I have arrived at that point, I think, where I have written all the stories from my life that I care to write about. Now, I’m at the jumping-off point into the great beyond of other lives and epochs, where the writing will, hopefully, continue for another indefinite period. I’m sure most writers have been here once; some have crossed the bridge successfully, while others have stayed in their comfort zone writing their way into irrelevance.

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